Design: Eva Bevec

DATE: Saturday, 30 May 2026 | 21:00–00:00
LOCATION: Kino Šiška, Ljubljana
PASSWORD: Free admission!

Adela Algorave invites you once again to an evening of contemporary club electronic music and live coding performed by a diverse international lineup of coders.

Accompanied by stunning visuals from Lina Rica, Kandela Solver and Turbulente, our bodies will be guided from darker soundscapes to (hyper)pop melodies, raw minimalism and complex rhythms by PC Music’s Lil Data aka Jack Armitage, one half of The Analogue Cops duo, Lucretio aka Domenico Cipriani, co-curator of Sheffield’s Pattern Club, Eye Measure, Barcelona-based cross-genre traveller Eloi el Bon Noi and, a familiar face on the Ljubljana club scene, msn gf.

Performers:

• Eloi el Bon Noi
• Eye Measure
• Lil Data
• Lina Rica
• Lucretio
• msn gf
• Kandela Solver
• Turbulente

Performers

Eloi el Bon Noi describes himself as a composer, live coder and hieroglyphist, known for performing through self-built computational systems. His work moves between extremes – dense, saturated sonic textures and moments of pointillist minimalism, crystalline harmonies and fragments of noise and glitch.

An active member of Barcelona’s live-coding community, he also leads workshops and lectures on live-coding practices. In addition to performing at festivals such as LEM, MUTEK, VIU and Generator, he also performs in a duo with writer and thinker Eloy Fernández Porta, combining spoken word and live coding.

Eye Measure is an artist making weird and dark computer music through live coding and algorithmic composition, drawing on industrial, noise and ambient traditions. Their practice focuses on repetition, accumulation and dense, evolving sonic textures. Using the live-coding system TidalCycles, they build intricate rhythmic structures and shifting sonic environments into live performances.

Eye Measure has performed at venues, including Café OTO, Corsica Studios and Venue MOT, and festivals, including No Bounds, Supernormal and Norbergfestival. Alongside releases on Edited Arts and TT, they have been active in organising algorave and live-coding events since 2020. Based in Sheffield, they co-run Pattern Club, a workshop series exploring algorithmic patterns across music, textiles and dance.

Lil Data is the hyperpop live-coding PC Music project of Manchester-born, Iceland-based musician and researcher Jack Armitage. Alongside their own work, they have contributed to productions for Charli XCX and Jónsi (Sigur Rós) and co-created and voiced MC Boing on Danny L Harle’s Harlecore (Mad Decent).

Lil Data’s practice spans experimental live shows, club performances and DJ sets, as well as multimedia installations, interface and sound design, and composition. Recently, Lil Data has been exploring the translation of live coding from English into other languages, including Icelandic, to promote local computing cultures and a permacomputing mindset.

Lina Rica is an intermedia artist working in conceptual, experimental and new media art. She creates installations using video, printmaking, light, photography and animation. Her practice addresses social processes of past and present worlds and their impact on the contemporary individual.

Lucretio has spent over a decade shaping raw, minimalist dance music, with 100+ vinyl releases under various aliases and in collaborations, including Blawan and Objekt. As one half of The Analogue Cops and Rage Therapy, he is a regular at Berlin’s legendary club, Tresor.

With a background in audio engineering (SAE Barcelona) and an MA in Linguistics from the University of Padova, he bridges club music and research. Since 2016, he has worked with Symbolic Sound’s Kyma system, presenting at the Kyma International Sound Symposium and exploring networked sound via Open Sound Control. His recent work spans live-coding performances at ZKM, ICLC events in Shanghai and Barcelona, and ongoing research at Inria, where he develops live-coding and DSP tools in Pharo Smalltalk.

Despite her genre commitment issues, Ljubljana-based DJ and producer msn gf remains devoted to the bittersweet drama of forgotten pop ballads, enhanced by cutting-edge contemporary production. As a member of the collectives Ustanova and Nimaš Izbire, she has performed DJ and live sets at regular gigs in clubs at Metelkova, at festivals (MENT, SONICA, Butik, Niansa, Tresk, Grounded, Spider) and on radio stations (Cashmere Radio, Kafka Radio, Radio Študent). She has also collaborated with Aksioma Institute on the music programmes for the Pixxelpoint festival, the Tactics & Practice conference and the live video-essay The Void+: We Have Always Been Brainrotted.

Following releases on the compilations Iskra Delta: Onboarding Soundscapes, Grounded: Peace VA and Bag of Toys 2, she is upgrading her live performances with live coding within the TOPLAP community. She weaves infectious pop melodies, trance tension and UK beats into generative loops. You don’t know her; she goes to a different school.

Kandela Solver explores cyberspace and the connection between the physical world and simulation and questions the systems that shape the world in which we live. His recent practice focuses on the reappropriation of electromechanical components (found, acquired or already owned), transforming them into functional test objects that resist passive data collection. Rather than remaining purely conceptual, his works operate as active systems, shifting the idea of a functional object toward a body with agency, perception and affect. Through this lens, he rethinks objects as entities capable of feeling and acting.

He is a member of the AV collective Dronišnica, performing at boutique venues nationally and internationally. As Kandela Solver, he also develops program-generated live visuals for Clockwork Voltage and other artists.

Citlali Hernández is a Mexican artist and designer who investigates how corporeality is reconfigured in a world shaped by hyperconnectivity, technologies and digital culture. Her projects intertwine the materialities of live performance art, DIY electronic circuits and interactive pixels, exploring the relationship between digital viral media and nonverbal communication through networked and hybrid (online-offline) performances.

Focusing on fragmentation, performativity and the mediated body, Turbulente investigates how identity is continuously constructed as it moves between physical and digital realms, public and private spaces, and the socio-technical conditions of the internet.